I am just back from London and Oxford and the huge and very happy event of my daughter Alexandra’s marriage. As often with great things, it’s best to ease in by way of a few seemingly minor or even unrelated observations–and not just the expected ones, that at moments this Mother of the Bride (or M.O.B.) felt brashly, heart-on-my-sleeve American in the English setting. As I rose to make several longish narrative toasts, I felt how true it is, that placing ourselves in new surroundings gives us fresh impressions of how we are–that what we take to be true is really just our small perspective. What rises to the top this morning is a detail heard and glimpsed the day before we went up to Oxford for the great event. Alex and her now-husband Anthony took her parents for a bit of London sight-seeing, a walk over London Bridge, a trip to Borough Market (http://boroughmarket.org.uk) for some amazing food, the the most delectable grilled cheese sandwich I have ever had, and finally a tour of the Globe Theater on the south banks of the Thames (http://en.wikipedia.org/wiki/Globe_Theatre). And here is the detail. Gesturing around the open-air Globe as the sunset, commending the way the theater (theatre) was rebuilt to be as nearly like the original as possible, our actorly guide explained that a real canon was fired in one of Shakespeare’s productions. The playwright hoped for a grand effect but the blast caught the thatchy roof on fire and burned the Globe to the ground. Shakespeare retired shortly after. Later, as we walked back across the Thames on the beautiful Millennium Bridge, watching the twinkling lights of London, Alex and I marveled to think of poor Shakespeare retiring, thinking that this unfortunate incident would shadow his legacy–that people would concede that he wrote some amazing plays but wasn’t he also the guy who burned down the Globe? What has this to do with marriage, or indeed with liberation and letting go, the theme of Parabola’s wonderful latest issue? I come away from taking part in this wonderful trip more convinced than ever that our greatest deeds don’t consist in what we have done but in what we have consented to take part in. Real liberation doesn’t come in kicking over the traces, breaking away from yoke of convention and doing something wild, like firing a canon in a theatre full of people. It comes when we consent to take part in a greater truth. In Shakespeare’s immortal words, “The readiness is all.”
Leave a reply to Joy Borum Cancel reply