20
Oct 11

The Swinging Door

What does it take to find our path to a greater, richer life?  What do we need to do to open up and let the magic in?  It is entirely possible to spend most of our limited time not really inhabiting our own life,  just a blur of thought and memory gliding over the surface of things like a ghost without really touching in.  This is a horrible fate when you think about it.  What is the way out?   Lately, I’ve been the journeys of great child characters, of Harry Potter and Jane Eyre.

Like Harry, Jane is an unwanted and unloved child, grudgingly taken in by an aunt who has no intention of helping her find her way in the world.  When we meet her, she is tucked away behind curtains, imagining the world based on the pictures in a History of British Birds, and on scraps of fairy tales she hears from a maid, or later from the then-popular novel Pamela.  In short, the world Jane lives in is very, very limited but she doesn’t feel limited. She feels intensely interested—and her awareness of herself having an interest that is a world beyond her grim immediate surroundings is part of the intensity and the interest.  Don’t you remember that feeling?  I remember being a little girl standing on the shore watching ships with international flags pass by on the St. Lawrence River.  I remember learning the flags of different countries and feeling a thrill of connection I couldn’t describe.   Even though I was small and stranded on the shore in Northern New York, there was something large in me—vast, even–something that could encompass a ship that came all the way from Sweden.

Bronte describes young Jane hiding behind velvet drapes, finding the pictures and stories profoundly interesting, even though her understanding and feelings are extremely undeveloped.  There is something about that special way of being interested that is an important clue about what it takes to find a path–in a certain state there is no separation between the subject and the object of our attention.  There is a state in which the objects of our attention are swinging door, inviting us into a deeper knowledge of our true nature, into a deeper way to be alive.  Last Sunday in our local meditation group, we spoke of this in modern terms, as flow.

Most of us know those luscious moments when we move from the shore to the river, from surface of things to the depths, when we move merely looking and labeling to opening up and receiving—to becoming part of what we see.   How do we get there?  This was spoken of a great deal in the “Seeing” issue of Parabola.  We’ve talked in this blog about those moments when you are so confounded that you give up–on a writing project or an artwork or on life.  This moment of abandoning hope of thinking up a solution can feel like facing our true inner poverty—or even like going up into the attic and confronting crazy Mrs. Rochester.  All our thoughts and images and memories are just mice running round and round in our brain, leading us nowhere.

I think of this as a koan moment, a moment of being stopped in our tracks.  In “Seeing,” the artist Jane Rosen describes intentionally giving her students conflicting directions on drawing, so that “their minds are so busy trying to figure it out, that something more essential can come out and it goes I’ll try. “   Plain, honest, sincere, artistic, “tenacious of life,” Jane Eyre is a personification of that little impartial person Rosen describes who comes out to see and draw when the personality just won’t serve.

The journey of Jane Eyre (and Harry Potter, and all children—or the lucky ones) is a journey from isolation to being part of a much greater life.

What would it be like if we approached our lives with a spirit of investigation, if we were keenly interested in investigating the nature of our connection to life so that we could discover the role we are meant to play? Yes, I am proposing that the thought (or, better, attitude) experiment of living as if we are Harry Potter or Jane Eyre.   I remember doing this sometimes when I was young, don’t you?  Looking at life with an intense and happy interest, seeking the role I might be able to play.

Out walking one winter day, Jane Eyre (who has survived her horrible childhood to become an educated young woman) came upon the dark and brooding Mr. Rochester.  His horse slips on the ice and he sprains his ankle, compelling him to ask her to help him back to his horse.   Jane doesn’t yet know who Rochester is (the master of the estate where she works as a governess) much less the impact he will have on her life.  Yet Jane feels that something has changed.  “My help had been needed and claimed:  I had given it:  I was pleased to have done something; trivial, transitory though the deed was, it was yet an active thing, and I was weary of an existence all passive.”

In other words, having a greater life, a magical life doesn’t just depend on Mr. Rochester showing up.   We have to being open—and being active inside.   Growing up to live conventional worldly lives, we are used to living on the surface.  We are oriented towards the outside, leaning forward to grasp what we need or to defend ourselves.   Yet there are times when we are in a different relationship with life.  Another way of life begins not when we decide we are strong enough and accomplished enough or rich enough to give but when we have nothing left to take.   When all we want to do is receive life with empty hands.  Then life can pour in.

At those moments, I begin to realize that what I may really be in my essence is not an isolated and inviolate little “I” at all, but part of something immense and essential.  It may turn out that we really are connected to those British birds, those ships passing on the St. Lawrence, to all that we see.  The secret is knowing that all those things that interest us are doors that swing inward, inviting our own deepest experience to be part of what we see.


06
Oct 11

A New Old Flame

Welcome to my new blog address!   I’ve heard Buddhist teachers explain rebirth by asking them to picture  a candle being lit from a dying flame.  Something carries on, but what?   It isn’t one small flame hopping from one wick to the next.  Trungpa told people it was their neurosis, their unwholesome tendencies that carried on.  Doesn’t that send a shiver?   Back at my old address, we were talking about negative conceit, about the tendency to hang back and judge self and others harshly, the tendency to meet life with a negative expectation–imagine that charming set of attitudes, automatic behaviors, unexamined beliefs carrying forward, leading the way into the unknown?

And yet there is always hope.  In any given moment there is the possibility of stopping and seeing ourselves and really accepting the truth of the way we are.  Rather than tightly identifying with the behavior or attitude and therfore preemptively judging it or covering it up, we might try non-identifying, approaching it as if it was the behavior of a friend, investigating it with an attitude of friendly but impersonal interest:  “I wonder why he or she lunges out of their seat and heads to the fridge when the subject of money comes up?”  At any given moment, another life can spring up in the guttering hopes of the old.

In those openings when there is a bit of free attention and we are interested in our lives in a new way, help appears, and from surprising sources.  One of the things I love most about working as an editor at Parabola and seeking to help it become a true community, is that it is beginning to offer material in the spirit of bringing evidence, not just offering guidance from above.   Hopefully, there is and will be something in each issue that reminds a reader that there can be these free moments, this other order of insights, this other life, no matter what is going on around us.

Back at my old address, I touched on the meaning of Harry Potter and spirited young Jane Eyre .   Consider this rich evidence of the open or selfless nature of self:  Joyce Carol Oates observes that much of the power of Jane Eyre comes from the fluid, flame-like nature of her character.  The novel “is about a character stimulated into growth–truly remarkable growth–by place….Just as these carefully rendered places differ greatly from one another, so Jane differs greatly in them; one has the sense of a soul in ceaseless evolution….Bronte’s sense of human personality is that it is pliant, fluid, and living, in immediate (and often defiant) response to its surroundings; not that it is stable and determined.  Jane Eyre is no portrait of a lady but the story of a young woman in ‘heroic’ mode….” And what she seeks, according to Oates, is not any stereotypic male prize (since some commentors have objected to “hero” in the past) but “a power of vision that might overpass the limits of her sequestered life, pastoral as it is.”

Call it synchronicity.  When you are thinkig of bicycles, you see bicycles.  But I think there may be more to it. When you are searching for a way of to be free–to be more alive while we are alive- reality can take on a magical quality.  Help comes.  As the Buddha himself discovered, the path rises up to meet us.  The trick is finding our way following one little flame at a time.

 


03
Oct 11

Harry and Jane

We are hard at work, pulling together a new issue on the many paths people take to find truth, and the articles in this particularly lively issue range from sacred music to the spiritual home that is Harry Potter.

Lately, I find myself pondering the similarity between Harry Potter and Jane Eyre. Jane, as some of us may remember (and as I am rediscovering) was an orphan who is grudgingly taken in by a resentful and nasty aunt. Little Jane is as viciously bullied by a fat spoiled cousin John as Harry was by Dudley, and is as wretchedly excluded and unloved by the whole family—she listens to Christmas parties while shut up in a little cupboard with only a doll to love. By her own admission (told many years past childhood), Jane isn’t as sweet or as loveable a child as little Harry. She is completely opposed to her adoptive family, “incapable of serving their interest, or adding to their pleasure; a noxious thing, cherishing the germs of indignation at their treatment….”

She doesn’t receive an invitation by owl that affirms what she knows in her heart to be true, that she is indeed very different than those around her. She is not whisked away to Hogwarts but to a wretched school called Lowood. And yet she finds in the depth of her misery, a spirit and a self awareness and self-acceptance that work a kind of magic. Banished to boarding school, abused beyond all endurance, she at last confronts her aunt as children never did in the Victorian age, calling her bad and hard-hearted.

“Ere I had finished this reply, my soul began to expand, to exult with the strangest sense of freedom, of triumph, I ever felt. It seemed as if an invisible bond had burst, and that I had struggled out into unhoped-for liberty.” Even though Jane later feels that this act of vengeance was like a sweet but poisonous wine, it is as necessary to her future development as Harry’s rollicking escape from his tormentors with its dash of sweet revenge.
As Jane’s nurse Bessie tells her, at least some of the scolding that comes to her is “because you’re such a queer, frightened, shy little thing. You should be bolder.” If you cringe and dread people, if you hide yourself “they’ll dislike you.” Jane and Harry both have to learn to affirm and express themselves.

“You have to be someone before you can be no one,” this statement is repeated in Buddhist circles, and it is equally applicable in Christian, yoga, Gurdjieffian or any other kind of circle dedicated to inner development. It seems like the biggest paradox. If the goal of spiritual life is to be liberated from a sense of separation from life, why value separating, becoming individuals? Why not stay in the cupboard and skip straight to transcendence?
What is the value of affirming a self, identifying the life force as our own—of getting out there in the world and proclaiming ourselves and struggling and trying? We need to really be ourselves, to really live without holding back, or nothing can really be known.   Transformation is not a thought. It is a drama that must be lived.  Also–and I’m really interested in what you think of this–I’ve heard it said that holding back, being timid, not daring to step up and show ourselves and be responsible, is really a kind of negative conceit.  What do you think?